01
11
2006
Nude, Naked, Pornography?
Posted by ByTor in Art, Blog, College, Photography, Question, Workbook, tags: black_and_white, discuss, fine_art_nudes, forums, images, naked_woman, nude, pornography, portraiture, subjective
So tell me, what's makes this image an "art" nude as opposed to just some naked woman lying on the rocks, or even pornography?
Does an image have to fulfil certain conditions before it can be considered art?
Things like:
- Has it been published?
- Has it been exhibited?
- Did someone arbitrarily say "Ooh, nice art."?
- Do you have to "know" someone specific?
- Do you have to BE someone specific?
- Are there specific aesthetic conditions that it must meet?
- Can "art nude" only be acceptable in black and white?
So what makes this "art" and another image just "coffee table porn" as it was described to me recently?
Join in the discussion and maybe we can work it out? Or does it really matter? Is it ALL subjective - one person's art is another's porn is another's art...etc.?
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Aw well, I guess no-one can be bothered joining in, or contributing to the discussion at all. That’s a disappointment!
Well, I think the difference between Fine Art Nude and Pornography, is the intent behind the creation of the image. If the intent is to get the viewer all hot and bothered - horny if you prefer - then its porn. Otherwise, its Art!!
Anyone want to talk about it? We could get a good little group therapy session going here… I know I need one!
Hey
I agree with you about intent of the image, but also think the way its composed
and presented makes a big diffrence too.
Basically…. if it looks good. Its art
I see it as a matter of Impact and Intent.
If the shot is taken with eroticism as its root and motive, then the photographer is marketing that work as porn.
If the photographer and model work together to create what they feel is a fine art nude image, then that too is the photographers motive.
I call this “Intent”
However, once an image is in the public domain; online, published wherever, how the viewer perceives that image, and what it does for them, is out of the photographers hands.
This I call: “Impact”
The motive and Intent of the image creator define the root of the image.
The Impact on the viewer defines the success of the image creator at articulating their vision.
I believe this is a good gauge for us to measure our standard as photographers. How well do we articulate our Intent?